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Thursday, May 3, 2012
'Battleship': Real Navy Officers 'Grounded' Film
Wednesday, May 2, 2012
Navy awards Aerovel Flexrotor contract to develop marine surveillance tech
The high seas and UAVs go together like -- well, they go together really well. The Navy's cooking up 3D laser imaging technology for spotting pirates and the like, but it will need some aircraft for the task. Right on cue, a helicopter / airplane hybrid for maritime surveillance is inching toward reality. Aerovel's Flexrotor, an ultra-compact craft with a wing span of three meters (9.8 feet) and a weight of just 19.2 kg (42.3 lb), has already been demonstrated to switch between horizontal and vertical flight, but the next step is enhancing its propulsion system to improve its performance for longer distances and in windier conditions. Today the Office of Naval Research (ONR) awarded the company a contract for developing that tech. For now, you can check out a video of the Flexrotor's first test flight, which demoes the UAV transitioning from vertical and horizontal orientation and back again.
Continue reading Navy awards Aerovel Flexrotor contract to develop marine surveillance tech
Navy awards Aerovel Flexrotor contract to develop marine surveillance tech originally appeared on Engadget on Tue, 01 May 2012 05:26:00 EDT. Please see our terms for use of feeds.
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Did Scalado Invent RIM?s Time-Defying BB10 Camera Tech?
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Tuesday, May 1, 2012
Late-night poll: Do you use the external speaker on your Android phone?
We talk a lot about listening to music and watching video on our Android phones around here. Android handles multimedia well, and streaming services like YouTube and Google Music work really nicely on Android. Something most of us talk less about, but equally important is making phone calls. These are designed to be phones first and foremost. Both have one thing in common -- the speakers. There's pretty much three ways to get the sound from your phone to your ears; a wired headphones/headset, a Bluetooth set-up, or one of the speakers.
Personally, I hate using the speaker on any phone or tablet. When I talk on the phone, I pick it up like a phone and hold it against my head. The only reason I have a Bluetooth headset is to test and review Android phones. I'm picky about the way calls sound, because with today's tech there's no reason for them to not sound good. When it comes to music, games or video, I prefer and use a wired headset -- small easy-to-carry ear buds if I'm out, or a big honking set of over-the-ear 'phones around the house. Nobody else wants to hear what I'm listening to -- if so they would ask.
But since everyone's different, I gotta ask. Answer in tonight's poll.
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Ice Cube Reflects On The Power Of Music, 20 Years After L.A. Riots
'I think music always has the power to change, heal, bring understanding and bring people together,' Cube tells MTV News.
By Rob Markman, with reporting by Tamara Palmer
Ice Cube performs in Los Angeles on Saturday
Photo: Kameron Zach/MTV News
On April 29, 1992, Los Angeles erupted after a jury acquitted four LAPD officers accused of beating Rodney King. It was dubbed the L.A. riots, as thousands of people took to the streets in protest. There was looting, arson and widespread violence. The indelible imagery has lived on through archived footage, art and, of course, music.
Albums like Dr. Dre's The Chronic and Ice Cube's The Predator were strongly influenced by the racial tension and social powder-keg conditions that preceded the riots and the aggressions and flared tempers in the aftermath. In many ways, West Coast hip-hop music in the early 1990s helped those outside of L.A. gain perspective on the ongoing power struggle between the black youth and the LAPD officers who police the inner-city neighborhoods.
"People have music in their heart. Music ain't about the charts; it's about how you feel about a certain song," Ice Cube told MTV news on Saturday night after KDAY's annual Krush Groove concert. "I know people who have music, and music changed their life just by hearing a song. It could be an old song, it could be a song that people thought were thrown away and you could hear it and it could inspire you."
Cube dropped The Predator in November 1992, several months after the L.A. riots. On "We Had to Tear This Mother----a Up," Cube expertly painted a lyrical picture of the six-day upheaval. "Not guilty, the filthy devils tried to kill me/ When the news get to the 'hood then n---as will be/ Hotter than cayenne pepper, cuss, bust/ Kickin' up dust is a must," he rapped to open the now-classic track.
The former N.W.A star didn't start there. On "Who Got the Camera?," Cube directly addressed the Rodney King beating, which was famously videotaped. In the song's lyrics, Cube tells a story about being pulled over and assaulted by police. "Started they investigation/ No driver's license, no registration/ When I stepped out the car they slammed me/ Goddamn, y'all, who got the camera," he rapped.
For those who didn't witness the L.A. riots first-hand, Cube's music helped illustrate some of the issues and frustrations that led to the chaos. Cube believes music is a tool that can bring about change, just as it was 20 years ago when he dropped The Predator. "I think music always has the power to change, heal, bring understanding and bring people together," he said.
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